Melga

A policia judiciária Norueguesa (PJN) solicita a divulgação do seguinte apelo: Ausentou-se ontem de casa de seu criador "O grito", na altura do seu desaparecimento, vestia um casaco castanho, tinha as mãos na cabeça e a boca escancarada, exibia uma expressão de dor. Sofre de perturbações existênciais.



Ele está a dizer - Ah!!! Deus está morto e o materialismo não me consola.

Os dizeres em Inglês foram retirados do

THE SCREAM, 1893 Tempera on board 83.5 x 66 cmM 514
The Scream has come more and more to be accepted as Edvard Munch's most significant motif - the very symbol of modern man, for whom God is dead and for whom materialism provides no solace. Munch wrote several versions of a prose-lyrical associated with the motif, one of which reads: I was walking along a path with two friends - the sun was setting - suddenly the sky turned blood red - I paused, feeling exhausted, and leaned on the fence - there was blood and tongues of fire above the blue-black fjord and the city - my friends walked on, and I stood there trembling with anxiety - and I sensed an infinite scream passing through nature.

-Eu também fui palmada, mas como sou menos famosa, ninguém me liga. Nem apareci nas 3h30m que dura o TVI jornal.

MADONNA, 1893-94 Oil on canvas 90 x 68.5 cm M 68
The aura-like lines around the model in this main motif from The Frieze of Life which ripple in a soft and suggestive rhythm, the half-closed and deep-set eyes allow us to sense the ecstasy of conception, the pinnacle of love but also an underlying pain. The red colour of the halo has the associations with both love and blood.